Tuesday, 17 April 2012

from forget to remembered

long time no see, this is my first write in 2012, after long time didnt visit my blog, iam so glad and very happy looking my blog again.... lol... :) i remember long time ago....
nice n very nice, MAYBE for a view time no design or no product can be selling, coz this bussiness take over with the new idea, but,,, i cant forget for all......
i'll alwayz be creator................


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Sunday, 14 August 2011

NEWS



long time no see....
all be stranger. hehehehe ini postingan yang baru, untuk semua pengunjung, maaf untuk tidak updatenya contain dari blog ini, selanjutnya akan di update sesuai dengan tanggal berikutnya...

design terbaru akan di upload bulan ini, tunggu kabar dari kami selanjutnya.....
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Thursday, 20 January 2011

Design Grafity T-Shirt



New design from old future, inspiring by art font and grafity font, make a sense of life, get soon...
this design can be change to your owner, your name or everything you thinking about word, take this....

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Download Che Guevara Book




Who is not know Che Guevara? He is revolusioner hero in Cuba, many people know him, but more less people know about his life, his life is war from capitalism and consumtif population, you can read his story complete in here, take the book and read all, free. this is some title of story book about him :

1. Siapa Sebenarnya Che Guevara?

2. Che Guevara wajah sang legenda.

3. Che Guevara tulang punggung revolusi

4. Surat-surat Che Guevara

5. Che Guevara untuk ayahnya

6. Inspirasi Perang Gerilya Che Guevara

7. Menempatkan Garis Massa di Atas Yang Lain

8. Sosialis Manusia di Cuba

Click one or all link in up, and get the book...
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Thursday, 6 January 2011

Color scheme



In color theory, a color scheme is the choice of colors used in design for a range of media. For example, the use of a white background with black text is an example of a basic and commonly default color scheme in web design.

Color schemes are used to create style and appeal. Colors that create an aesthetic feeling when used together will commonly accompany each other in color schemes. A basic color scheme will use two colors that look appealing together. More advanced color schemes involve several colors in combination, usually based around a single color; for example, text with such colors as red, yellow, orange and light blue arranged together on a black background in a magazine article.

Color schemes can also contain different shades of a single color; for example, a color scheme that mixes different shades of green, ranging from very light (almost white) to very dark.

Use of the phrase color scheme may also and commonly does refer to choice and use of colors used outside typical aesthetic media and context, although may still be used for purely aesthetic effect as well as for purely practical reasons. This most typically refers to color patterns and designs as seen on vehicles, particularly those used in the military when concerning color patterns and designs used for identification of friend or foe, identification of specific military units, or as camouflage.
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Color



Color or colour (see spelling differences) is the visual perceptual property corresponding in humans to the categories called red, green, blue and others. Color derives from the spectrum of light (distribution of light energy versus wavelength) interacting in the eye with the spectral sensitivities of the light receptors. Color categories and physical specifications of color are also associated with objects, materials, light sources, etc., based on their physical properties such as light absorption, reflection, or emission spectra. By defining a color space, colors can be identified numerically by their coordinates.

Because perception of color stems from the varying sensitivity of different types of cone cells in the retina to different parts of the spectrum, colors may be defined and quantified by the degree to which they stimulate these cells. These physical or physiological quantifications of color, however, do not fully explain the psychophysical perception of color appearance.

The science of color is sometimes called chromatics. It includes the perception of color by the human eye and brain, the origin of color in materials, color theory in art, and the physics of electromagnetic radiation in the visible range (that is, what we commonly refer to simply as light).
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Raster graphics



In computer graphics, a raster graphics image or bitmap is a data structure representing a generally rectangular grid of pixels, or points of color, viewable via a monitor, paper, or other display medium. Raster images are stored in image files with varying formats (see Comparison of graphics file formats).

A bitmap corresponds bit-for-bit with an image displayed on a screen, generally in the same format used for storage in the display's video memory, or maybe as a device-independent bitmap. A bitmap is technically characterized by the width and height of the image in pixels and by the number of bits per pixel (a color depth, which determines the number of colors it can represent).

The printing and prepress industries know raster graphics as contones (from "continuous tones") and refer to vector graphics as "line work".
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Pixel Grapic



In digital imaging, a pixel (or picture element)[1] is a single point in a raster image. The pixel is the smallest addressable screen element; it is the smallest unit of picture that can be controlled. Each pixel has its own address. The address of a pixel corresponds to its coordinates. Pixels are normally arranged in a two-dimensional grid, and are often represented using dots or squares. Each pixel is a sample of an original image; more samples typically provide more accurate representations of the original. The intensity of each pixel is variable. In color image systems, a color is typically represented by three or four component intensities such as red, green, and blue, or cyan, magenta, yellow, and black.

In some contexts (such as descriptions of camera sensors), the term pixel is used to refer to a single scalar element of a multi-component representation (more precisely called a photosite in the camera sensor context, although the neologism sensel is also sometimes used to describe the elements of a digital camera's sensor),[2] while in others the term may refer to the entire set of such component intensities for a spatial position. In color systems that use chroma subsampling, the multi-component concept of a pixel can become difficult to apply, since the intensity measures for the different color components correspond to different spatial areas in a such a representation.
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